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| 1 | Rise & Fall of the Sexes
—Gyorgy Ligeti Melodien |
3:34 | San Francisco
Algorithmic Classical |
1990 | Frank Genius |
84 |
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| 2 | Lost Love
—Richard Wagner |
4:34 | San Francisco
Rave Breaks |
1990 | Frank Genius |
65 |
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| 3 | Historical Materialism
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8:34 | Hollywood
Noise |
2002 | Frank Rothkamm DJ Glove |
60 |
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| 4 | Essence
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7:34 | Vancouver B.C.
Post-Digital Drone |
1989 | Frank H. Rothkamm |
60 |
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| 5 | Arabia Avalon
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7:34 | San Francisco
Classic Techno Pop |
1991 | Frank Genius Deborah Borchers |
59 |
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| 6 | Infrared Space Observatory
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7:34 | New York
Ambient Algorithmic |
1996 | Frank Rothkamm |
59 |
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| 7 | LowMid
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7:34 | New York
Ambient Algorithmic |
1998 | Frank Rothkamm |
54 |
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| 8 | Happy Birthday
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0:34 | New York
Camp Classic Techno |
2002 | Frank Rothkamm |
50 |
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| Killer Disco Eternal Recurrence
FLUXRECORDS opus 25 "Drama. Dynamics. D..." |
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| Killer Disco Eternal Recurrence
Magick Sounds of the Underground
FLUXRECORDS opus 30 "Lost Love is a dance oddity, a cocktail of a few samples that would have never met, were it not for chemistry." |
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FLUXRECORDS opus 270 |
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| Fisch IV
FLUXRECORDS opus 19 "In a state of heightened perception and concentration a door opens and you find yourself on the other side. Before nothing changed. Now everything does. Until the object of concentration is the perception of time itself." |
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| Magick Sounds of the Underground
Planet Genius
FLUXRECORDS opus 63 "The greatest hit" |
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FLUXRECORDS opus 239 "Infrared radiation is primarily "heat", or thermal, radiation and can be found below the visible light spectrum. As such it can neither be seen nor heard and therefore has been the object of much speculation especially by someone who Plotinus described in 250 AD as a musician. "The musician we may think of as being exceedingly quick to beauty, drawn in a very rapture to it: somewhat slow to stir of his own impulse, he answers at once to the outer stimulus: as the timid are sensitive to noise so he to tones and the beauty they convey; all that offends against unison or harmony in melodies and rhythms repels him; he longs for measure and shapely pattern.[sic]" These apparently shapely patterns found in the invisible spheres have always been difficult to materialize in this world as they may contain the harmony of the spheres, which in turn will give anyone who discovers them the key to the universe. So in an alchemical attempt to synthesize this harmony, I began with pure sawtooth waveforms that appear and disappear according to a kind of Heisenberg Uncertainty Principle. They are in a field of probability. The waves therefore begin to develop a rhythm and if tuned to a Pythagorean scale of pure ratio intervals, they will develop a changing relationship like that between overtones. The waves in Infrared Space Observatory are undergoing constantly changing very narrow-width bandpass filtering and so exposing different overtones of the sawtooth waves over time and thus move in spheres around an imaginary center both harmonically and rhythmically. The mystery of the harmony of the spheres may indeed lie in whatever is next on the probable event horizon." |
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FLUXRECORDS opus 195 "Before the advent of the digital computer all computers were analog. So I put together a number of old outdated analog synthesizers and treated them as if they were computers, capable of performing tasks that require their own decision making. At the core of this process were Sample & Hold modules that acted as random pitch generators. An appropriate setting was found after I let the machines run for a couple of days, until I found that the results stayed within a Low to Mid range universe like New York, completely covered by fog." |
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FLUXRECORDS opus 256 "A sound e-card written for my wife Nina" |
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