FLUXRECORDS opus 16 "The basic time score was written from September to October '86 in Cologne, West Germany. Research for inharmonic FM synthesized voices, from December '86 to January '87, in Vancouver, Canada. Digitally mastered March 9, '87"

FLUXRECORDS opus 252 "Fetish Object"

FLUXRECORDS opus 248 "The piano score was written March 4, '87, around 2:00 a.m., in Vancouver. Research for infinite rooms, March, '87, mastered March 12, '87. ---If you were to simultaneously repeat four sequences of equal length forever, they would remain synchronized and nothing would ever change. If you were to repeat four sequences of slightly unequal length forever they would be unsynchronized and their relationship would constantly change, eventually going through all possible harmonic combinations. If these loops were made from the same sonic material, say a piano, the infinite permutations would appear as one entity. So here we go: repeating sequences of equal timbre but unequal length sink into a universe made from their own reverberation"

FLUXRECORDS opus 250 "The most remarkable Emily tops this cytron-industrial funk."

FLUXRECORDS opus 253 "Industrial operatic cinematic ritual"

FLUXRECORDS opus 278 "Lament on the Sine Waves Art Scene"

FLUXRECORDS opus 251 "The remarkable Emily, here queen of left-coast techno-punk, tells you about socialization and why you better watch out. In the meantime, machine percussion in gothic space explains why art and anti-art are really one. Good, clean, pogo-dancing fun!"

FLUXRECORDS opus 249 "Who's baby now?"